This was a Valentine's Day we won't soon forget. In a sold-out benefit concert at (le) Poisson Rouge and with twenty-six love-infused works, we raised a grand total of $6,630 to support our friends at Partners in Health. PIH provides world-class health care to the people of Haiti, and are leading the way in the recovery efforts after last month's earthquake.

We responded with Love Letter to Haiti, nearly three hours of music, featuring two dozen musicians and soloists, all of whom donated their time. Why host a concert? Artistic Director / Conductor Andrew Cyr explained in a recent interview:

"My wife and I were talking after the earthquake struck and when the horrific human tragedy started sinking in, we felt both incredibly moved and helpless. We're not doctors, we can't fly a plane, we can't write a big check... what could we do? The answer was really simple: just try and see what happens... It's been so much fun to put this together!"

And what an evening it was! The concert featured works from Metropolis composers Ryan Francis and Adam Schoenberg. Our friend David Bruce prepared a new arrangement of a Tallis motet especially for the night. We sold beautiful illustrated t-shirts by artist Jennifer Salomon, so patrons could literally wear their heart on their sleeve (all proceeds going to PIH). We also sold and donated our new album, Avner Dorman's Concertos. (le) Poisson Rouge donated the space; InTicketing generously waived their ticket fees; and many patrons opened their wallets to make donations to Partners in Health. Thank you for supporting us in so many ways!

We were honored to have special guest Klaus Gauthier from Port au Prince fly into New York to attend the concert; he himself was trapped during the quake, and has worked since to help find missing persons and organize tent drop-offs in Haiti.

As it turned out, Allan Kozinn from the New York Times was also on hand to enjoy the concert, and wrote our first NYT review:

"All told, 26 works of various lengths were performed, most contemporary and eclectic, with standard repertory pieces cropping up on occasion. Some of those were among the evening's highlights. A short set by the Avenue 9 Trio and its members included a sweetly singing account of Rachmaninoff's "Vocalise" by the group's cellist, Dane Johansen, and a breathtakingly beautiful reading of Debussy's "Clair de Lune" by its violinist, Sean Lee, both accompanied by Edvinas Minkstimas the ensemble's pianist. Mr. Lee returned later to play Massenet's "Meditation" from "Thaïs" with the harpist Bridget Kibbey." Read the full article...

It truly was a special evening. Thanks to everyone who made the concert possible. We witnessed the very best that our community of composers, performers, and patrons can be: giving of your time, talent, and treasure to support the people of Haiti in the most vital way possible... rallying around Partners in Health and their inspiring work... and celebrating a kaleidoscope of music that connects us all together.

Photos by Gareth Paul Cox.

Labels: adamschoenberg, andrewcyr, davidbruce, jennifersolomon, lepoissonrouge, lovelettertohaiti, partnersinhealth, ryanfrancis

Here are a few highlights from our concerts in 2009, edited and produced by Gareth Paul Cox. Groanbox on January 28, 2009, featuring the works of David Bruce, Michael Ward-Bergeman, and John Adams. Glimpses on May 6, 2009, featuring the works of Vivian Fung, Jakub Ciupinski, and Cristina Spinei. New Music 101 on September 16, 2009, featuring the interactive works of Jakub Ciupinski. Reverb on November 19-20, 2009, featuring the works of Jakub Ciupinski, Vivian Fung, Erin Gee, and Cristina Spinei.

Looking for more of our best videos from the past four years? Check out this exclusive collection and our complete video archives.

Labels: cristinaspinei, davidbruce, ensemblenews, eringee, groanbox, jakubciupinski, johnadams, michaelwardbergeman, vivianfung

Composer David Bruce shares insights about his new work, Groanbox, featuring Michael Ward-Bergeman on accordion, The Groanbox Boys, and the Metropolis Ensemble:

As a composer whose music has long incorporated folk elements, it has been an incredibly exciting challenge to write a piece for these two groups of outstanding musicians. I titled my piece simply Groanbox, (itself an old American term for the accordion), and wrote a piece which is not at all like a traditional 'concerto', but rather a piece in which the two groups merge as one, along with the two styles of music. I suppose it's a sort of imaginary folk-music I'm writing, played by the largest and most virtuoso village band you've ever seen. Read more...

This past year, David introduced A Bird In Your Ear, a new opera based on an old Russian folk tale originally published in 1903 called "The Language of the Birds," which received its world premiere in March 2008. In this scene below, a Bird with Golden Plumage (soprano Yulia Van Doren) arrives to thank Ivan (tenor Sungeun Lee) for saving her children. She offers to grant him a wish, and so he asks to understand the language of the birds.



You can watch more from this performance of A Bird in Your Ear by Bard College Orchestra and Choir conducted by James Bagwell, and learn more about the work. The opera will also be presented at the NYC Opera VOX Festival on May 1-2, 2009.

Looking for more from David Bruce? Carnegie Hall is featuring his commissioned work Piosenki, which is available as a free download. The work reflects on snapshots of childhood found in the poems of the Polish poet Julian Tuwim, and features a lagerphone similar to the Freedom Boot used by The Groanbox Boys in their upcoming concert with Metropolis Ensemble on January 28, 2009.

Labels: composerseries, davidbruce, groanbox

Metropolis Ensemble is pleased to offer a free download of Sports et Divertissements, recorded live at The Times Center in New York City on April 10, 2008. Erik Satie's twenty-one brilliant thumbnail sketches are presented in a delightful arrangement for chamber orchestra by David Bruce, and featuring our resident funny-man Mike Daisey.

Download Sports et Divertissements
(right-click to download the mp3, ctrl-click on a mac)

David and Mike had the opportunity to sit down and discuss Satie's work ahead of last month's concert. The conversation – ranging from challenges of composing and updating this work, to the serious (and not so serious) business of comedy – is available in the video archive. Be sure to also watch the Tennis excerpt and see conductor Andrew Cyr serve up a surprise finale.

And because there should never be lack of razor-sharp wit, Mike Daisey invites you to his latest performance: How Theater Failed America, running through June 22 at the Barrow Street Theatre. Dark, honest and hilarious, Daisey seeks answers to essential and dangerous questions about the art we're making, the legacy we leave to the future, and who it is we believe we're speaking to. An exclusive discount is available for Metropolis Ensemble members and fans!

Sports et Divertissements is commissioned for chamber orchestra by Metropolis Ensemble. Special thanks to audio engineer Ryan Streber, videographer Tim Bakland, and video editor Dan Hayek.

Labels: davidbruce, ensemblenews, eriksatie, loop, mikedaisey

World-renowned soprano and leading new music muse Dawn Upshaw, and Meet the Composer Foundation have invited Metropolis Ensemble to perform the newly arranged Three Pieces from Piosenki by composer David Bruce at a gala dinner held in Upshaw's honor at the Manhattan Penthouse in New York City on May 28, 2008. The annual event organized by Meet the Composer honors a prominent American artist. The benefit committee includes Esa-Pekka Salonen, James Levine, Robert Spano, Osvaldo Golijov, John Adams, among others.

Upshaw was involved in the original Carnegie Hall commission of Piosenki, and has recently been championing Bruce's music, commissioning an opera from him for her students on the Graduate Vocal Arts Program at Bard College, NY and scheduling performances of Piosenki herself in the fall. Other pieces selected for the event are by John Harbison and Tania Leon, both of whom will be in attendance.

More details about the gala...

Listen and learn about Piosenki...

Labels: davidbruce, dawnupshaw, ensemblenews

Metropolis Ensemble commissioned a new arrangement for chamber orchestra of Erik Satie's Sports et Divertissements from London-based composer David Bruce for our spring concert Loop.

Sports et Divertissements was originally written for piano and narrator in 1914 as a multi-media project of sorts. Satie provided piano music to drawings made by Charles Martin, a French illustrator from the Beaux Arts and Art Deco traditions. First published and performed in the early 1920s, Satie's twenty brilliant thumbnails sketches illuminate Martin's drawings with whimsical verbal and musical images of outdoor sports and amusements.

David Bruce offers his thoughts on creating a chamber orchestra arrangement:

Satie's Sports et Divertissements presents itself in such a deliberately humble, almost self-depricating manner that it's easy to overlook the quality of Satie's inventiveness. Indeed, I think I only really appreciated the true depth and subtlety of Satie's art once I began the process or orchestration.

From the instruments available, I tried to pick an orchestral palette which resonated with the subject matter of the individual pieces, (ranging as it does from circus clowns to and octopus in its cave) and in doing felt a sense of polishing up a tiny gem to reveal an extraordinary richness and strangeness. The tiniest of fragments which might whizz past in the piano piece and which might seem unremarkable, suddenly jumped into life... its true significance seeming stronger than ever.

Most notable were a wealth of connections with Satie's Parisian contemporaries, particularly Debussy and Stravinsky... connections which had only been marginally apparent to me in listening to the piano version. What we now think of as a Stravinskian orchestral sound is particularly evident in the pieces that evoke the circus or the comedia del'arte characters - the combination of 'earthy' circus music sounds with the particular kinds of harmony and repetitive patterns Satie uses bring out the Stravinsky connection especially strongly - and makes one reconsider the extent of the influence Satie exerted on the great Russian composer.

More about Erik Satie...

Labels: composerseries, davidbruce, eriksatie, loop