Nina Young
Composer and sonic artist Nina C. Young (b.1984) creates works, ranging from acoustic concert pieces to interactive installations, that explore aural architectures, resonance, timbre, and the ephemeral. Her music has garnered international acclaim through performances by the American Composers Orchestra, the BBC Symphony Orchestra, the Minnesota Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Phoenix Symphony, the Nouvel Ensemble Moderne, the Aizuri Quartet, Sixtrum, the JACK Quartet, and wild Up. Winner of the 2015-16 Rome Prize, Nina has received recognition from the Guggenheim Foundation, the Koussevitzky Foundation, the Civitella Ranieri, Fromm, the Montalvo Arts Center, and BMI. Recent commissions include Tread softly for the NYPhil's Project 19, a violin concerto for Jennifer Koh with the Philadelphia Orchestra and the Los Angeles Chamber Orchestra, and a multimedia performative installation piece for the American Brass Quintet and EMPAC’s EMPAC’s High-Resolution Wave Field Synthesis Loudspeaker Array. Young holds degrees from MIT, McGill, and Columbia, and is an Assistant Professor of Composition at USC's Thornton School of Music. She serves as Co-Artistic Director of NY-based new music sinfonietta Ensemble Échappé. Her music is published by Peermusic Classical.
Xinyang Wang
Born in Guangyuan City, Sichuan Province, China, Wang Xinyang is a composer of classical music, currently based in Pittsburgh. He holds a bachelor's degree from Sichuan Conservatory of Music and a master's degree from Manhattan School of Music both in music composition and theory.
Xinyang takes inspiration from a broad spectrum of influences, such as traditional Chinese arts and its Western concert music. He’s been awarded numerous prizes in composition and has worked with many eminent interpreters. Recently he was announced as a first prize winner in the Toru Takemitsu Composition Award for his orchestral piece Boréas. The piece was performed on January 19 2021 at the Tokyo Opera City Concert Hall in a performance by conductor Yasuo Shinozaki and the Tokyo Philharmonic.
Meng Wang
Wang Meng (王萌）is a Chinese composer currently based in Cincinnati. Her music has been performed internationally by notable orchestras and ensembles, including Brussels Philharmonic, Cincinnati Symphony Orchestra, Columbus Symphony, Jacksonville Symphony, MSM Composer's Orchestra, China Youth Symphony; Aspen Contemporary Ensemble, Thin Edge New Music Collective, Longleash Trio, F- Plus Ensemble, among others. Wang was a composer fellow at Aspen Music Festival, Cabrillo Music Festival, and was selected to participate in 2019 ['tactus] Young Composers Forum with Brussels Philharmonic and American Composers Orchestra EarShot readings in 2018. Recent commissions include a percussion ensemble piece for Shanghai Symphony in Chamber Concert series and a piano concerto for CCM Concert Orchestra, which will get its premiere in spring 2022.
Wang is currently pursuing her DMA in composition at the University of Cincinnati College-Conservatory of music under the guidance of Prof. Douglas Knehans. She earned her Master's degree at Manhattan School of Music. Her primary instructors include composers Wenchen Qin, Reiko Füting, and Andreia Pinto Correia.
Sugar Vendil
Sugar Vendil is a composer, pianist, choreographer, and interdisciplinary artist based in Lenapehoking, known as Brooklyn. She started her artistic life as a classical pianist, and after spending nearly a decade searching for her own voice, her practice evolved into performances that integrates sound, movement, and unconventional approaches to the piano. She writes and performs her own solo music for piano and electronics and has a keyboard/synth duo, Vanity Project, with composer Trevor Gureckis. Vendil is a proud second generation Filipinx American.
Vendil was awarded a 2021 MAPFund grant to support Antonym: the opposite of nostalgia. Recent commissions include Chamber Music America to write a new work for her ensemble, The Nouveau Classical Project, which she founded in 2008; ETHEL’s Homebaked 2019 for Unsacred Geometry, and ACF | Create to write for Box Not Found.
Vendil loves dancing and collaborating with other makers. In September 2020, she danced in choreographer Emily Johnson/CATALYST’s The Ways We Love and The Ways We Love Better – Monumental Movement Toward Being Future Being(s) at Socrates Sculpture Park. She is part of Johnson’s Being Future Being process, which showed at Bates Dance Festival and Jacob’s Pillow in July 2021. Vendil took part in premiering composer-saxophonist Darius Jones’ LawNOrder at The Stone and Being Caged in ICE (2018) at Roulette.
She has performed at a variety of venues, ranging from arts spaces such as BAM Fisher, Dixon Place, Knockdown Center’s Ready Room, MoMa PS1, National Sawdust, the New School’s Glassbox Theater, The Stone, and Roulette; to galleries and spaces such as The Development Gallery, Milk Studios, and Spring Studios.
Vendil is an advocate of the oxford comma, is obsessed with her cat Coco, and has an excellent memory.
Tengku Irfan
Malaysian-born Tengku Irfan has appeared around the world as a pianist, composer, and conductor, and has been praised by The New York Times as “eminently cultured” and possessing “sheer incisiveness and power”. Irfan has performed with orchestras worldwide with conductors Claus Peter Flor, Neeme Järvi, Kristjan Järvi, David Robertson, Robert Spano, Osmo Vänskä, George Stelluto, Jeffrey Milarsky, among others. His compositions have been premiered by highly-acclaimed orchestras and ensembles, and have won international awards including three ASCAP Morton Gould Awards in 2012, 2014, and 2017.
Irfan started his piano lessons at age 7 and developed an interest in composing shortly after. His major debut performance was at age 11, performing Beethoven's Piano Concerto in E flat (Wo04) with the Malaysian Philharmonic Orchestra under the baton of Claus Peter Flor, where he improvised his own cadenzas for all three movements.
Other performance highlights include the Juilliard Orchestra, AXIOM, Singapore Symphony Orchestra, Sao Paulo State Youth Orchestra, Estonian National Symphony Orchestra, Malaysian Philharmonic Orchestra, Aspen Chamber Symphony, Peoria Symphony Orchestra, MDR Sinfonieorchester, Aspen Philharmonic Orchestra, Lexington Philharmonic, Minnesota Orchestra, and a solo recital at the la Virée classique Festival Montréal, on invitation from Kent Nagano. Irfan also won the Aspen Music Festival Prokofiev Piano Concerto No.2 Competition in 2013, and was resident pianist for the Aspen Contemporary Ensemble for four consecutive years since 2014.
Irfan’s career as a composer has garnered three ASCAP Morton Gould Awards and a Charlotte Bergen Award with performances and premieres by orchestras such as the Malaysian Philharmonic Orchestra, the Singapore Symphony Orchestra, Peoria Symphony Orchestra and the MDR Simfonieorchester. His orchestral composition titled Keraian, was premiered by the New York Philharmonic at Avery Fisher Hall, with Case Scaglione conducting.
Irfan was a double major in piano & composition in the Juilliard Pre-College program (under Yoheved Kaplinsky & Ira Taxin). He currently studies at the Juilliard School as a double major in piano & composition under Yoheved Kaplinsky and Robert Beaser respectively, and also studies conducting with Jeffrey Milarsky and George Stelluto. Irfan served as Teaching Artist Intern for the New York Philharmonic Composer’s Bridge Program, and is a proud recipient of the Juilliard School Kovner Fellowship Award.
Tom Morrison
New York native Tom Morrison (b. 1992) is a composer of acoustic and electroacoustic music. Morrison draws his inspiration from the experience of place. Recent projects include new works for leading new music groups, including the Aizuri Quartet, Alarm Will Sound, Latitude49, Sö Percussion, and Contemporaneous. Upcoming Projects include new works for the New Jersey Symphony; Albany Symphony’s new music chamber orchestra, Dogs of Desire; and new electroacoustic works for Theo Van Dyck and Parker Ramsay. Recently, his work has been released on Eric Huckin’s album, Drifter. He was the winner of the 2016 Thailand International Composition Festival Competition judged by Mark Adamo, Aaron Jay Kernis, and John Corigliano. More recently, he won first place in the 2021 Symphonia Caritas Competition. Morrison is a graduate of the Juilliard School (MM) where he studied with Pulitzer-Prize winning composer Christopher Rouse. He is also a graduate of the University of Montana (BM), in Missoula, where he cultivated his love for nature and the environment. He holds an MFA from Princeton University, and is currently a PhD fellow at Princeton.
Jared Miller
Described as a “rising star” by MusicWorks magazine, JUNO-Nominated composer Jared Miller has collaborated with the American Composers Orchestra, the Victoria and Nashville Symphonies, the symphony orchestras of Vancouver, Toronto, Detroit and Edmonton, The Attacca Quartet, Latitude 49, the New York City Ballet’s Choreographic Institute, the Emily Carr String Quartet and Standing Wave. His music has been featured and recognized in the New York Philharmonic’s Biennial (2014), the ISCM World Music Days (2017 & 2019), Vancouver’s Queer Arts Festival (2010, 2015 & 2019), and the Festival Internacional de Jóvenes Orquestas (2019.)
Recent accolades include SOCAN’s Jan V. Matejcek Award, young composer prizes from the SOCAN and ASCAP Foundations, and a nomination for the 2020 JUNO Award for Classical Composition of the Year. He has also held residencies at the Banff Centre, I-Park’s International Artist-in-Residence Program, and with the Victoria Symphony from 2014-2017.
An advocate for musical education and outreach, Miller has taught and performed in several initiatives including The Juilliard School’s Music Advancement Program, the Vancouver Symphony Orchestra Connects Program, BC’s Health Arts Society, Vancouver’s Opera in the Schools, and New York’s Opportunity Music Project.
Miller holds Masters and Doctor of Musical Arts degrees from the Juilliard School where he studied with Samuel Adler and John Corigliano. He has also studied at the University of British Columbia with Stephen Chatman, Dorothy Chang, Sara Davis Buechner, and Corey Hamm. He is currently Assistant Professor of Music Composition at Dalhousie University.
Jihyun Kim
Jihyun Kim's music has appeared in the prestigious venues around the world, including Weill Recital Hall at Carnegie Hall, the Cloisters at the Metropolitan Museum of Art, National Sawdust, Bruno Walter Auditorium at Lincoln Center, Merkin Hall at Kaufman Music Center, Seiji Ozawa Hall, Harris Hall in Aspen, DiMenna Center, Palazzo Medici Riccardi in Florence Italy, and Seoul Arts Center in Korea.
Jihyun’s works were performed by eminent ensembles such as the American Composers Orchestra, Aspen Conducting Academy Orchestra, Cornell Symphony Orchestra, Cornell Festival Orchestra, Tanglewood New Fromm Players, Aspen Contemporary Ensemble, Da Capo Chamber Players, JACK Quartet, PUBLIQuartet, Society for New Music, Asciano Quartet, Switch Ensemble, Karien Ensemble, and Chanticleer LAB Choir, and were featured in the Underwood New Music Reading, Tanglewood Music Center, Aspen Music Festival, Mayfest, USF New Music Festival, Midwest Composers Symposium and Korean Music Expo.
Jihyun was selected as the winner of the Consortium Commission from American Composers Orchestra/Alabama Symphony/American Youth Symphony, ASCAP Morton Gould Young Composers Award, the League of Composers/ISCM Composers Competition, the American Prize in Orchestral music, the Libby Larsen Prize, PUBLIQ Access, Florence String Quartet Call for Scores, the 32nd Chang-ak Composition Competition, the Otto R. Stahl Memorial Award/ Russell Distinguished Teaching Award from Cornell University, and received honorable mentions from Red Note New Music Composition Competition, TEMPO New Music Ensemble Call for Scores, among many others.
Jihyun is currently a doctoral candidate in Composition at Cornell University. Jihyun previously earned MM degree in Composition from Jacobs School of Music, Indiana University while serving as an Associate Instructor in Music Theory, and BM degree in Composition from Yonsei University in Seoul, South Korea.
Jihyun recently joined the Oberlin Conservatory as Visiting Assistant Professor in Composition. She previously taught at the Washington State University as Lecturer in Composition.
David Fulmer
Winner of the 2019 Academy Award from the American Academy of Arts and Letters, David Fulmer has garnered numerous international accolades for his bold compositional aesthetic combined with his thrilling performances. A Guggenheim Fellow, and a leader in his generation of composer-performers, the success of his Violin Concerto at Lincoln Center in 2010 earned international attention and resulted in immediate engagement to perform the work with major orchestras and at festivals in the United Kingdom, Europe, North America, and Australia. Fulmer made his European debut performing and recording his concerto with the BBC Scottish Symphony Orchestra under the direction of Matthias Pintscher in 2011. That same year, Fulmer made his debut at Tanglewood appearing with the work. A surge of recent and upcoming commissions include new works for the New York Philharmonic, Ensemble Intercontemporain, Berlin Philharmonic, Deutsche Kammerphilharmonie Bremen, ProMusica Chamber Orchestra, Carnegie Hall, Alte Oper Frankfurt, BMI Foundation, Concert Artists Guild, Washington Performing Arts, Kennedy Center, Fromm Music Foundation, Koussevitzky Foundation, and Tanglewood.
Fulmer was recently the recipient of both the Charles Ives Fellowship from the American Academy of Arts and Letters, and the Carlos Surinach Commissioning Award from BMI. He is the first American recipient of the Grand Prize of the International Edvard Grieg Competition for Composers. He has also received the ASCAP Morton Gould Young Composer Award, the BMI Composer Award, the Charles Ives Scholarship from the American Academy of Arts and Letters, a special citation from the Minister of Education of Brazil, the Hannah Komanoff Scholarship in Composition from The Juilliard School, and the highly coveted George Whitefield Chadwick Gold Medal from the New England Conservatory. Fulmer appears regularly and records often with the premiere new music ensembles in New York, including the International Contemporary Ensemble, Talea Ensemble, Argento New Music Project, Speculum Musicae, the Group for Contemporary Music, and the New York New Music Ensemble. His work has been recorded by the Ensemble Intercontemporain. He has appeared recently on the Great Performers Series at Lincoln Center, The Chamber Music Society of Lincoln Center, and Live from Lincoln Center broadcasts. He graduated from The Juilliard School.
Fjóla Evans
Fjóla Evans is a Canadian/Icelandic composer and cellist. Her work explores the visceral physicality of sound while drawing inspiration from patterns of natural phenomena. Autocorrect describes her work as a “texturing fog.” Commissions and performances have come from musicians such as Bang on a Can All-Stars pianist Vicky Chow, Grammy-winning ensemble eighth blackbird, and the Winnipeg Symphony Orchestra. Her work has been featured on the MATA Festival, Bang on a Can Marathon, Gaudeamus Music Week, Cello Biennale Amsterdam 2020, Ung Nordisk Musik, and the American Composers Orchestra's SONiC Festival.
As a performer, she has presented her own work at Cluster Festival of New Music, (le) poisson rouge, Mengi in Reykjavík, and at Toronto's Music Gallery. Fjóla has participated in residencies at the Banff Centre for the Arts, and KulturKontakt Austria, among others. She has studied composition with Julia Wolfe, cello performance with Matt Haimovitz, and completed a master’s degree in composition at the Yale School of Music in 2018. In September 2019 she began doctoral studies in composition at Columbia University where her research is supported by the Social Sciences and Humanities Research Council of Canada.
Recent projects include a new song cycle for Dúplum duo based on a taxonomy of Icelandic plant life, the premiere of Self-Care by Fonema Consort, VC2 cello duo’s rendition of Ridge & Furrow featured on the album Beethoven’s Cellists, a performance of Lung as part of Gaudeamus Music Week 2021 by the Residentie Orkest, cellist Maya Fridman’s performance of Reið-Hagall-Bjarkan out on TRPTK, and the release of Bearthoven's recording of Shoaling on Cantaloupe Music. Fjóla is the 2017 winner of the Robert Fleming Prize from the Canada Council for the Arts.
Jessie Cox
One of the world’s most brazenly experimental composers, Swiss artist Jessie Cox makes music about the universe - and our future in it. Through avant-garde classical, experimental jazz, and sound art, he has devised his own strand of musical science fiction, one that asks where we go next. Cox’s music goes forward. When he describes it, he compares it to time travel and space exploration, likening the role of a composer to that of a rocket ship traversing undiscovered galaxies. He is influenced by a vast array of artists who have used their music to imagine futures, and takes Afrofuturism as a core inspiration, asking questions about existence, and the ways we make spaces habitable. Known for its disquieting tone and unexpected structural changes, his music steps into the unknown, and has been referred to by the New Yorker as a nebulous and ever-expanding sound world that includes ‘breathy instrumental noises, mournfully wailing glissandi, and climactic stampedes of frantic figuration’.
Victoria Cheah
Victoria Cheah (b. 1988, New York, NY) is a multi-disciplinary composer interested in boundaries, sustained energy, and social/performance rituals. Her work has been commissioned / presented by andPlay, Yarn / Wire, Wavefield Ensemble, MATA Festival, Guerilla Opera, Ensemble Dal Niente, Vertixe Sonora, Marilyn Nonken, Trio Okho, Transient Canvas, Trio de Kooning, PRISM Quartet, and performed by others. She has attended academies including Sommerakademie Schloss Solitude, Darmstadt, Fontainebleau, VIPA, SICPP, The Walden School, and others. Her teachers and mentors include David Rakowski, Eric Chasalow, Yu-Hui Chang, Steven Takasugi, Chaya Czernowin, Philippe Leroux, Shafer Mahoney, Shawn Crouch, as well as her students and colleagues.
Cheah holds a B.A. in music from City University of New York Hunter College & Macaulay Honors College and a Ph.D. in music composition & theory at Brandeis University. She has taught music, research, and writing related courses as an instructor at Longy School of Music, Brandeis University, and as a teaching fellow at Harvard University. From 2011-2015, Cheah served as the founding executive director of Sound Icon and has worked with new music organizations Talea Ensemble, Manhattan Sinfonietta, Argento Chamber Ensemble, Composit, and others towards the realization of contemporary music events. She currently serves as Assistant Professor at Berklee College of Music, a co-director of Score Follower, and a bartender at Winnie’s.
Shiuan Chang
Describe as " spiritual, light and comforting." by Classic Agenda (FR), Shiuan Chang is the winner of 2018 Chicago Civic Symphony Composer Prize, 2021 Asian Cultural Council award, and the 2021 Djerassi Artist Residency. Shiuan views that the performance is birth; the following applause is death, and the performers’ acknowledge bow is reincarnation. His recent major production including "Sounding Light (2020)" collaborating with the Cloudgate Contemporary Dance company; Two flagship productions of the Taiwan International Festival of Arts : "I-Village (2021)" collaborating with the Sheng-Xiang Rock Band and the National Symphony Orchestra, and "A thousand stages, Yet I have never quite lived (2021)" collaborating with the Beijing Opera artist Hei-Min Wei and National Symphony Orchestra, directed by Kengsen Ong. CHANG Shiuan’s music have been performed nationally and internationally at Carnegie Hall, Merkin Hall (New York), Suntory Hall (Tokyo), Jordan Hall (Boston), Moscow Philharmonic Chamber Hall, Berlin Philharmonic Chamber Hall, Chicago Symphony Center, Taiwan National Concert Hall, Bartok Hall (Hungary), ODC Theater (San Fransisco), Le Phenix Valenciennes (FR), Royaumont (Paris), Archipel Festival (Geneva), Tenso Music Days (Belgium), Boston Early Music Festival, Innovation Series Taipei, Grafenegg Festival, and the Bartok Festival (Hungary). He has worked with the Cloudgate Contemporary Dance Company, Tonkunstler Orchestra, Taiwan Philharmonic, Taipei Symphony Orchestra, Chicago Civic Symphony Orchestra, Moscow Contemporary Music Ensemble, Asasello Quartett, TANA Quartet, Mivos Quartet, Atlas Ensemble, Ensemble Multilaterale, Ensemble Musicatreize, Earplay Ensemble, signal ensemble, Antico Moderno, Neue Vocalisten Stuttgart, Ekmeles Ensemble, Les Metabole, Princeton Singers, and Orkest de Ereprijs,.
CHANG studied with Malcolm Peyton at New England Conservatory during undergraduate. He has also studied with Chaya Czernowin, Stefano Gervasoni, and Maestro Peter Eotvos.
Nick Bentz
Nick Bentz (b. 1994) is a composer and violinist whose art is drawn to the remote fringes and recesses of experience. In his work he seeks to render intimately personal spaces imbued with an individual sense of storytelling and narrative. Finding inspiration in historical materials, Nick's work often explores the destructive relationship between sound artifacts and time. His art centers around the blurring, juxtaposition, and amalgamation of stylistic idioms into singular sonic statements. Nick's music has been performed by leading artists including yMusic, flutist Marina Piccinini, HOCKET, Charleston Symphony, Suzhou Symphony Orchestra, New Opera West, LIGAMENT, NYsoundCircuit, Jacksonville Symphony, TEMPO Ensemble, SONAR New Music Ensemble, Occasional Symphony, and Symphony Number One, and featured at Copland House CULTIVATE, the Center for Contemporary Art – Shanghai, FSU Festival of New Music, Bowdoin Music Festival, the Chengdu Museum, New Music on the Point, and the Sounding Now Festival. Current projects include works for International Contemporary Ensemble, Wigmore Hall, Thornton EDGE, and multimedia collaborations with visual artist Sicheng Wang and filmmaker Ian Kent. His work has received top honors from the Tribeca New Music Festival, the American Prize, the iSING International Young Artists Festival, Boston New Music Initiative, Hartford Opera Theater, and American Composer’s Orchestra’s EarShot Readings. Nick was previously a Composition Teaching Artist Fellow at the Los Angeles Chamber Orchestra.
Nick is currently a Ph.D. candidate at Brown University, pursuing a doctorate in Music and Multimedia Composition. He received a master’s degree in composition from the University of Southern California. Nick also earned a master's in violin from the Peabody Conservatory, receiving bachelor's degrees in violin and composition. His mentors include Wang Lu, Eric Nathan, Anthony Cheung, Nina Young, Kevin Puts, Donald Crockett, Ted Hearne, Andrew Norman, Felipe Lara, and Yiorgos Vassilandonakis.
Lindsay Kesselman
Hailed by Fanfare Magazine as an “artist of growing reputation for her artistry and intelligence...with a voice of goddess-like splendor” Lindsay Kesselman is a two time GRAMMY-nominated soprano who passionately advocates for contemporary music.
Recent and upcoming highlights include the premiere of the wind transcription of Caroline Shaw’s Is a Rose, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center, the role of Anna in Kurt Weill’s The Seven Deadly Sins with the Charlotte Symphony, the role of Ada Lovelace in a new opera, Galaxies in Her Eyes by Mark Lanz Weiser and Amy Punt, Astronautica: Voices of Women in Space with Voices of Ascension, ongoing performances of two works written for Kesselman by John Mackey with orchestras and wind symphonies across the country, the John Corigliano 80th birthday celebration at National Sawdust (2018), Quixote (Amy Beth Kirsten and Mark DeChiazza) with Peak Performances at Montclair State University (2017), a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012-2015).
Kesselman is featured on several recent recordings: Chris Cerrone’s The Arching Path (2021, In a Circle Records), Russell Hartenberger’s Requiem for Percussion and Voices (2019, Nexus Records), Chris Cerrone’s The Pieces That Fall to Earth with Wild Up (2019, New Amsterdam Records), Mathew Rosenblum’s Lament/Witches’ Sabbath with the Pittsburgh New Music Ensemble (2018, New Focus Recordings), Louis Andriessen’s Theatre of the World with the Los Angeles Philharmonic (2017, Nonesuch), and Jon Magnussen’s Twinge with HAVEN (2016, Blue Griffin).
John Taylor Ward
John Taylor Ward’s performances have been praised for their “Stylish abandon” (Alex Ross, The New Yorker) and their “finely calibrated precision and heart-rending expressivity” (Washington Post). He performs regularly with the world’s finest baroque musicians and ensembles, including Christina Pluhar and L’Arpeggiata, Paul O’Dette, Steven Stubbs and the Boston Early Music Festival, William Christie and Les arts florissants, and Sir John Eliot Gardiner and the English Baroque Soloists. In 2016, he was featured in the U.S. premiere of Claude Vivier’s Kopernikus, directed by Peter Sellars at the Ojai Festival, and he began a series of recitals at Joe’s Pub with Cantata Profana. In 2017 he made his debuts at the Salzburg, Berlin, and Luzerne Festspieles. Upcoming highlights include Berio’s Sinfonia with the New York Philharmonic and Nick Shadow in Igor Stravinski’s The Rake’s Progress, conducted by Barbara Hannigan in Gothenburg, Sweden. Taylor holds a BM from the Eastman School of Music and an MMA from Yale School of Music; he is the founding Associate Artistic Director of the Lakes Area Music Festival, an Associate Artist of Heartbeat Opera, and an avid Sacred Harp singer.
Andrew Turner
Andrew Turner is a Pittsburgh Opera Resident Artist tenor. His roles this season included First Priest/First Armored Man in The Magic Flute, The Beloved in The Rose Elf, Policeman / The Man in In A Grove, Ramendado in Carmen, and Policeman/Buddy #1 in Blue.
A native of Tacoma, WA, Andrew holds a BM in Vocal performance from Washington State University and an MM from University of Illinois at Urbana-Champaign. While attending University of Illinois, he performed the roles of Don Ottavio in Don Giovanni, and Male Chorus in The Rape of Lucretia.
Mr. Turner recently finished his second season at Des Moines Metro Opera as an apprentice artist performing the role of Tchaplitsky in The Queen of Spades and covering the role of Tobias Raggs in Sweeney Todd. In 2019, he made his debut as Parpignol in DMMO’s production in La Boheme.
Other engagements included his role debut as Boy 1 in Trouble in Tahiti with Virginia Opera, Tamino in The Magic Flute with Opera Iowa, touring performances as Ranger Dudley in Little Red’s Most Unusual Day and The Prince in The Littlest Mermaid, and concert appearances as the tenor soloist in Mozart’s Coronation Mass and Vivaldi’s Lord Nelson Mass with the Berkeley Community Chorus and Orchestra.