Nick Bentz
Nick Bentz (b. 1994) is a composer and violinist whose art is drawn to the remote fringes and recesses of experience. In his work he seeks to render intimately personal spaces imbued with an individual sense of storytelling and narrative. Finding inspiration in historical materials, Nick's work often explores the destructive relationship between sound artifacts and time. His art centers around the blurring, juxtaposition, and amalgamation of stylistic idioms into singular sonic statements. Nick's music has been performed by leading artists including yMusic, flutist Marina Piccinini, HOCKET, Charleston Symphony, Suzhou Symphony Orchestra, New Opera West, LIGAMENT, NYsoundCircuit, Jacksonville Symphony, TEMPO Ensemble, SONAR New Music Ensemble, Occasional Symphony, and Symphony Number One, and featured at Copland House CULTIVATE, the Center for Contemporary Art – Shanghai, FSU Festival of New Music, Bowdoin Music Festival, the Chengdu Museum, New Music on the Point, and the Sounding Now Festival. Current projects include works for International Contemporary Ensemble, Wigmore Hall, Thornton EDGE, and multimedia collaborations with visual artist Sicheng Wang and filmmaker Ian Kent. His work has received top honors from the Tribeca New Music Festival, the American Prize, the iSING International Young Artists Festival, Boston New Music Initiative, Hartford Opera Theater, and American Composer’s Orchestra’s EarShot Readings. Nick was previously a Composition Teaching Artist Fellow at the Los Angeles Chamber Orchestra.
Nick is currently a Ph.D. candidate at Brown University, pursuing a doctorate in Music and Multimedia Composition. He received a master’s degree in composition from the University of Southern California. Nick also earned a master's in violin from the Peabody Conservatory, receiving bachelor's degrees in violin and composition. His mentors include Wang Lu, Eric Nathan, Anthony Cheung, Nina Young, Kevin Puts, Donald Crockett, Ted Hearne, Andrew Norman, Felipe Lara, and Yiorgos Vassilandonakis.