What follows is a mix of gently melancholic classical music led by stringed instruments, featuring Timo Andres’ Upstate Obscura.
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What follows is a mix of gently melancholic classical music led by stringed instruments, featuring Timo Andres’ Upstate Obscura.
“Finally, we get a recording of Andres' piano concerto, The Blind Banister, shortlisted for a Pulitzer in 2016, with the composer at the keys. That the album contains the cinematic cello concerto Upstate Obscura, with Inbal Segev, makes it worth the wait.”
Wye Oak are celebrating the 10th anniversary of their fourth album, Shriek, with a new collection of five of its songs, reimagined by composer William Brittelle.
William Brittelle’s movements are fleeting and brief, like constantly shifting perspectives in dreams that dissolve into one another with a logic all their own.
The multi-part suite combines bits of freeform noise, mutated transmissions, seething strings, subliminal guitar, and ghostly singing into a lucid nightmare of oddly soothing sonic insanity.
“Wye Oak’s Shriek is celebrating its 10th anniversary in a couple months, and to mark the occasion the duo has announced Shriek: Variations, a collection of five tracks from the album that were reimagined by composer William Brittelle.”
Nonesuch releases composer Timo Andres’ new studio album, The Blind Banister, on March 22, 2024 featuring pianist Timo Andres, cellist Inbal Segev, and Metropolis Ensemble conducted by Andrew Cyr.
New Amsterdam releases composer William Brittelle’s new studio album, Alive in the Electric Snow Dream, on February 23, 2024 featuring Holland Andrews, Jenn Wasner, Eliza Bagg, and Metropolis Ensemble conducted by Andrew Cyr.
“A vividly immersive thriller... not a word or note is without purpose, and both are captured, if not enhanced, in this richly produced recording.”
In a Grove provides further confirmation of Cerrone's singular gifts and why Christopher Cerrone is justly regarded as one of today's leading composers.
Two studio albums produced with Metropolis Ensemble are on the ballot for the first round of voting for the 2024 GRAMMY Awards.
In A Grove is rendered in a taut, mesmeric soundworld featuring a strikingly expressive use of electronics. Eight characters are assigned to four excellent singers who, combined with a subtle-hued Metropolis Ensemble, bring the story grippingly alive within Cerrone’s lushly circular, almost ritualistic harmonic frame.
The way they create a soundscape in the recording really captures the mysterious and immersive spirit of Akutagawa’s work. It’s immersive, it's compulsively listenable.
In A Grove is an engrossing and complete experience... Cerrone evokes the fragility of memory from the outset... Metropolis articulates his economical writing for nine players with vivid nuance.
In A Grove is vividly produced… not a mere document of the premiere, but a creation of its own, carefully considered for the studio… commanding attention until the end.
Our top pick is “In A Grove.” This is an opera that will linger long in my memory. Now it can find a place in your memory with the release of this album. I love it and can’t wait to see a full production (hopefully sooner as opposed to later).
In A Grove provides further confirmation of Cerrone's singular gifts and why he's justly regarded as one of today's leading composers.
Our new album, In A Grove, is featured at the top of the TIDAL Avant Garden playlist , and also featured prominently on the Classical page in the TIDAL app.
“In A Grove” composer Christopher Cerrone and librettist Stephanie Fleischmann recently spoke with Dave Lake at WRUU in Savannah.
Christopher Cerrone’s haunting opera In a Grove is a good example of how to create something original and modern out of a timeless classic. Cerrone’s atmospheric score is deep and magical.