Eleonore Oppenheim

Eleonore Oppenheim

“Quietly virtuosic” (Alan Kozinn, the New York Times) upright and electric bassist Eleonore Oppenheim is equal parts valued ensemble player and engaging soloist. Her “…subtle expressivity” and “…particular eloquence” (Joshua Kosman, the San Francisco Chronicle), coupled with her New Music advocacy, have made her a go-to muse for some of the best composers of her generation, and she has built a rich repertoire of solo pieces, some of which will be featured on her debut album, “Home,” which will be released on Innova Recordings in Spring of 2016.

A musical omnivore and polyglot, Eleonore is at home in a wide range of musical idioms, and has worked with a variety of different artists and groups, among them the Philip Glass Ensemble, Tyondai Braxton (Battles), the Wordless Music Orchestra, Shara Worden (My Brightest Diamond), Ensemble Signal, Bryce Dessner (the National), Meredith Monk, Steve Reich, and Jonny Greenwood (Radiohead).
Eleonore also performs and records regularly with the “All-star, all-female quintet” (Time Out NY) Victoire, whose debut album Cathedral City reached top-10 and best-of lists in the New York Times, Time Out NY, and NPR in 2010, and whose new album Vespers for a New Dark Age, a collaboration with Wilco drummer and percussionist Glenn Kotche, was released on New Amsterdam in 2015.

She has appeared at a number of national and international festivals and venues, most notably the Norfolk Chamber Music Festival, Ravinia, Spoleto USA, the MADE Festival in Sweden, Festival de Otoño Madrid, and Carnegie Hall, BAM, Lincoln Center, the Guggenheim and Whitney Museums, the Barbican Centre, the Pritzker Pavilion in Chicago’s Millennium Park, Disney Hall, and the Sydney Opera House and Melbourne Recital Centre in Australia.

Eleonore was a Bang on a Can Fellow in 2006, where she met many of the fantastic musicians and composers she now collaborates with. She is currently pursuing a Doctorate at SUNY Stony Brook, and is also an alumna of the Yale School of Music and the Juilliard School.

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Topu Lyo

Topu Lyo

Topu Lyo is a Korean-American multi faceted composer, producer, and cellist. He uses cello and electronics as his primary tool to compose and perform. He has been a co-leader of two piece band Live Footage for over 12 years touring throughout Europe, Asia, and the US. The band has scored documentaries for HBO, BET, VICE, UNICEF as well as done commercial work for many other brands including BMW, VOLVO and Arpel. He has held a 10 year residency at NYC's Apotheke every Sunday night.

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Samer Ghadry

Samer Ghadry

Samer Ghadry is a Brooklyn-based musician and healing sound practitioner. He uses a variety of droning and overtoning instruments such as gong, voice, bowls, and forks to craft relaxing, rejuvenating, and holistically transporting sound journeys in various settings. Samer has a background in percussion and improvisation and has toured and recorded with musicians Matthew Dear, Angel Deradoorian, and Dave Harrington, and has appeared in recent works such as Alanis Morsette's The Storm Before the Calm and the film Everything Everywhere All At Once.

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Sara Serpa

Sara Serpa

A native from Lisboa, Portuguese Sara Serpa is a singer, composer, improviser, who through her practice and performance, explores the use of the voice as an instrument. Serpa has been working in the field of jazz, improvised and experimental music, since moving to New York in 2008. Literature, film, visual arts, nature and history inspire Serpa in the creative process and development of her music. Described by the New York Times as “a singer of silvery poise and cosmopolitan outlook,” and by the JazzTimes magazine as “a master of wordless landscapes,”  Serpa started her recording and performing career with jazz luminaries such as Grammy-nominated pianist, Danilo Perez, Guggenheim and MacArthur Fellow pianist, Ran Blake, and Greg Osby.

Her ethereal music draws from a broad variety of inspirations including literature, film, visual arts as well as history and nature. As a leader, she has produced and released ten albums, the latest being Intimate Strangers (2021) and Recognition (2020).

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Avner Dorman

Avner Dorman (he/him/his) writes music of intricate craftsmanship and rigorous technique, expressed with a soulful and singular voice. A native of Israel now living in the United States, Dorman draws on a variety of cultural and historical influences in composing, resulting in music that affects an emotional impact while exploring new territories. His music utilizes an exciting and complex rhythmic vocabulary, as well as unique timbres and colors in orchestral, chamber, and solo settings; many of his compositions have become contemporary staples in the repertoire. Dorman's music is championed by conductors including Zubin Mehta, Christoph Eschenbach, Ricardo Chailly, and Andris Nelsons, and by soloists such as Pinchas Zukerman, Gil Shaham, Martin Grubinger, and Hilary Hahn. 

His music has been championed and commissioned by orchestras such as the Cleveland Orchestra, the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the Israel Philharmonic Orchestra, the New York Philharmonic, NDR Elbphilharmonie Orchestra, San Francisco Symphony, the Los Angeles Philharmonic, Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, and opera houses such as Badsisches Staastoper Karlsruhe, Theater Dortmund, Theater Bonn, and Deutsche Oper Am Rhein.

Dorman's music has garnered numerous awards and prizes. Most recently, he won the 2018 Azrieli Prize for Jewish Music, and his debut opera, Wahnfried, was named a finalist in the category of World Premiere at the International Opera Awards. At the age of 25, Dorman became the youngest composer to win Israel's prestigious Prime Minister's Award for his Ellef Symphony. He has earned several international awards from ASCAP, ACUM, and the Asian Composers League. Dorman studied composition with John Corigliano and Josef Bardanashvili, and he holds a doctorate in composition from the Juilliard School. Dorman currently serves as Associate Professor of Music Theory and Composition at the Sunderman Conservatory of Music at Gettysburg College.

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Du Yun

DU YUN, born and raised in Shanghai, China, and currently based in New York City, works at the intersection of opera, orchestral, theatre, cabaret, musical, oral tradition, public performances, electronics, visual arts, and noise. Her body of work is championed by some of today’s finest performing groups and organizations around the world.

Known for her “relentless originality and unflinching social conscience” (The New Yorker), Du Yun’s second opera, Angel’s Bone (libretto by Royce Vavrek), won the 2017 Pulitzer Prize in Music. She was nominated for a Grammy Award in the Best Classical Composition category for her work Air Glow. Her collaborative opera Sweet Land with Raven Chacon (for opera company The Industry) was the 2021 Best New Opera by the North America Critics Association. Four of her feature studio albums were named The New Yorker’s Notable Recordings of the Year, in 2018, 2019, 2020, and 2021, respectively. Her latest monodrama opera In Our Daughter’s Eyes was a notable performance of the year in 2022 by the New Yorker.

A community champion, Du Yun was a founding member of the International Contemporary Ensemble; served as the Artistic Director of MATA Festival (2014-2018); conceived the Pan Asia Sounding Festival (National Sawdust); and founded FutureTradition, a global initiative that illuminates the provenance lineages of folk art and uses these structures to build cross-regional collaborations from the ground up. Du Yun was named one of 38 Great Immigrants by the Carnegie Foundation (2018), “Artist of the Year” by the Beijing Music Festival (2019).

In 2022, she was granted a Creative Capital Award for an AR inter-generational Kun-opera project. Asia Society Hong Kong has honored her for her continued contribution in the performing arts field. Other notable awards include Guggenheim, American Academy Berlin Prize, Fromm Foundation, Foundation for Contemporary Arts. The Carnegie Foundation and the Vilcek Prize in Music have honored her as an immigrant who have made lasting contributions to the American society. In 2023 Harvard University honored her as centennial medalist, the highest recognition for its alumni.

As an avid performer and bandleader (Ok Miss), her onstage persona has been described by the New York Times as “an indie pop diva with an avant-garde edge.”

Du Yun is Professor of Composition at the Peabody Institute, and Distinguished Visiting Professor at the Shanghai Conservatory of Music. Her concert music is published worldwide by G.Schirmer.

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Him Sophy

HIM SOPHY (composer; Cambodia) was born into a musical family in Prey Veng Province, Cambodia in 1963. He started learning the piano in 1972 in Phnom Penh, but was forced out of the city in 1975 for the duration of the Khmer Rouge regime. After the fall of the Khmer Rouge, he returned to his musical studies at Cambodia’s Secondary School of Fine Arts. In 1985, he won a scholarship to the Moscow Conservatory of Music, where he studied and earned his PhD. He returned to Cambodia in 1998, and opened the Him Sophy School of Music in 2013. His previous works, including the acclaimed rock opera Where Elephants Weep, have demonstrated an unparalleled facility for bringing Western and Khmer musical worlds into intimate conversation. This time, Sophy combines a Western chamber orchestra and chorus with Khmer instrumentalists and vocalists. These traditional musical forms are crucial for honoring the dead; unfortunately, live performances are seldom heard in the capital and rapidly disappearing in the countryside.

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