Alan Toda-Ambaras

Alan Toda-Ambaras

Recipient of the Prize for Most Promising Contestant at the 2005 Rostropovich International Cello Competition in Paris, Alan Toda-Ambaras is active as both a soloist and a chamber musician. He has performed with Midori; Yo-Yo Ma, Sandeep Das, and other members of the Silk Road Ensemble; the Borromeo Quartet; the Parker Quartet; and has appeared twice as a soloist with the North Carolina Symphony. Recent appearances include performances in Tokyo’s Ohji Hall, Osaka’s Phoenix Hall, National Academy of Music in Vietnam, Massachusetts State Hall, Chamber Music Society of Lincoln Center, the Taos Music Festival, Harvard University’s Paine Hall, and the New England Conservatory’s Jordan Hall. He has been featured on French television and in several European documentaries due to his participation in the Rostropovich Competition; he has also been heard on NPR’s From The Top program, New York’s WKCR Classical station, and Boston’s Neighborhood News Network. Alan has a B.A. in History of Art and Architecture from Harvard and an M.M. from the New England Conservatory, where he studied with Laurence Lesser. He is a co-founder of the Eureka Ensemble, a new social action-oriented Boston music organization.

Karl Ronneburg

Karl Ronneburg

Karl Ronneberg is a composer, percussionist, and multimedia artist based in New York City and Seattle. Winner of the University of Michigan’s Brehm Prize for Composition and the Mannes College of Music’s Dean’s Award, Karl is the co-artistic director of Fifth Wall Performing Arts and has worked with artists and companies including Radiolab, Meredith Monk, Musicambia, Sō Percussion, and the Lincoln Center Theater’s Directors’ Lab. His work has been played by bell towers, rock bands, orchestras, arcade machines, and people dressed in squirrel costume, among others.

Maya Bennardo

Maya Bennardo

Violinist Maya Bennardo is an active performer living in Brooklyn, NY. Maya is passionate about opening the dialogue between composers and performers, and is devoted to performing music of the present. She is a founding member of the violin/viola duo andPlay, described by I Care If You Listen as “enthusiastic champions for new music and collaboration.” She is a core member of Mivos Quartet, Nouveau Classical Project and Hotel Elefant, and has performed with ensemble mise-en, Contemporaneous, Mimesis Ensemble, Ensemble Signal, and [Switch~ Ensemble]. Maya also performs new and traditional repertoire for violin and piano with pianist, Karl Larson, in their duo, Bennardo/Larson.

Jim Hopkins

Jim Hopkins

Based in Brooklyn, Jim Hopkins primarily works as an organist and, once things get more back to normal, choral conductor and educator, and is currently the Director of Music at All Saints’ Episcopal Church on the Upper East Side of Manhattan. His musical interests are wide ranging, though he has a special love for Renaissance choral music, 20th-century French music, and noisy “popular” music, and also enjoys playing harpsichord, piano, Indian harmonium, and synthesizers. He passed much of the time in the pandemic doing what many did in that situation: by baking sourdough bread and playing Animal Crossing. Both by necessity and by choice in the pandemic, he discovered a new interest in collaborating with solo singers and began to explore his interest in electronic music. He also enjoys sailing, cycling, cooking, and nerding out about coffee, music, and Christian liturgical minutiae.

Tracy Cowart

Tracy Cowart

Tracy Cowart is the co-managing director of the medieval-experimental ensemble Alkemie, with whom she ponders the perspectives and sounds of centuries past, especially as they resonate with (and challenge) our modern-day perceptions. Heralded as “enchanting” and “indicating [the] future health of the field of early music,” Alkemie is based in NYC and tours nationally. Tracy is currently programming a concert of 15th-century song from the feminine or non-gendered perspective that challenges our inherited narrative of courtly love. She also performs as an early and new music soloist and chamber singer with groups including Rose of the Compass, Musica Sacra, and the Cathedral Choir of St. John the Divine, and nurtures a love of foraging and amateur mycology.

Pablo Menares

Pablo Menares

Pablo Menares is a Chilean bass player based in Brooklyn, NY. He is one of the most highly regarded bass players in Chile. Since moving to New York City in 2009, he has worked widely in both Jazz and Latin music. He has performed in many of New York’s notable jazz venues, including Blue Note, Jazz Standard, Jazz Gallery, Smoke, Smalls Jazz Club, Fat Cat, 55 Bar, Lincoln Center, Steinway Hall and Carnegie Hall. He has toured extensively in Europe, Asia, North, Central and South America. Among the luminaries with whom he has performed are Sam Yahel, Arturo O’Farrill, Randy Brecker, David Kikoski, Bob Moses, Greg Osby, Melissa Aldana, Claudia Acuña and Francisco Mela.

Vinicius Gomes

Vinicius Gomes

Guitarist and composer Vinicius Gomes released his first album in 2017 "Resilência", music dedicated to fusing the Brazilian universe with modern jazz. He has performed with important composers and interpreters, such as Zizi Possi (with whom he acts as guitarist and arranger in the show "À Flor da Pele"), Rosa Passos, Jane Duboc, Arthur Verocai and Oswaldinho do Acordeon, as well as instrumental music names such as Toninho Ferragutti (with whom he recorded the album "A Gata Café", winner of the 2017 Brazilian Music Award), Thiago Espirito Santo, Robertinho Silva and Mestrinho. He has also worked with orchestras such as OSESP and Jazz Sinfônica de SP.

Caroline Davis

Caroline Davis

Mobile since her birth in Singapore, composer and saxophonist Caroline Davis’s music covers a wide range of styles, owed to her shifting environment as a child. As a leader, she has released six albums: Live Work & Play (2012), Doors: Chicago Storylines (2015), Heart Tonic (2018), Alula (2019), Anthems (2019), and Portals (2021)…

Timo Vollbrecht

Timo Vollbrecht

Timo Vollbrecht is an internationally performing saxophonist-bandleader, composer, reeds player, educator, and scholar. Described as "luminously fine" by the New York City Jazz Record, his music is “blessed with rhythmic fluidity and intricate twists.” Based in between his home in Lower Saxony, New York and Berlin, he is particularly active in the international jazz and contemporary music scenes. A musical omnivore, he organically combines jazz with elements of new music, post-rock, electronics, and instrumental songwriting. He has appeared on 22 albums and at landmark stages such as the Village Vanguard, Winter Jazz Fest NYC, and Jazz at Lincoln Center. He holds a Ph.D. in Jazz Studies from NYU, where he currently teaches as an Adjunct Professor. As a Fulbright scholar, he also holds a master's degree in jazz saxophone from NYU where he studied with Mark Turner, Stefon Harris, and Joe Lovano. At the Berlin University of the Arts he studied with Peter Weniger, John Hollenbeck, and Kurt Rosenwinkel to receive a Bachelor in Music Education. His research interests range at the intersections of music production, pedagogy, band interaction, improvisation, artistic citizenship, and the digital avant-garde.

Marta Sánchez

Marta Sánchez

Born and raised in Madrid, Spain, pianist and composer Marta Sánchez is actively working in the contemporary creative music scene in New York City and around the globe. Charting a significant path through her innovative and original music, she has reached an international audience, gaining significant global recognition. As a bandleader, she is currently working with her New York based Quintet, with her band Room Tales, featuring singer Sara Serpa, and with the Quartet Open Can, featuring Ralph Alessi, Michael Formanek and Mark Ferber. She is involved in many other music projects as a collaborator, performer, and/or studio musician in the United States and abroad.

Amirtha Kidambi

Amirtha Kidambi

Amirtha Kidambi is the composer and bandleader of her quartet Elder Ones, with Matt Nelson, Max Jaffe and Nick Dunston and the leader of her vocal quartet Lines of Light, featuring Anaïs Maviel, Emilie Lesbros and Jean-Carla Rodea. Kidambi is also a regular collaborator of Lea Bertucci, in a voice and analog electronics duo, is a member of guitarist Mary Halvorson’s Code Girl, featured in various projects with composer and alto saxophonist Darius Jones, a longtime contributor of Charlie Looker’s early music inspired dark folk band Seaven Teares and a soloist in Pat Spadine's analog percussion and light ensemble Ashcan Orchestra…

Clara Warnaar

Clara Warnaar

Clara Warnaar is a NYC based drummer and percussionist who plays with the band Infinity Shred and as a guest with the International Contemporary Ensemble. Her solo work is mainly ambient and experimental.

Emily Haughton

Emily Haughton

Emily Haughton has been a freelance dancer in New York City for about 2 1/2 years. She has had the pleasure of working with Gwen Gussman’s Holdtight company, the Warp Trio, Heidi Latsky, and being in a few short films in NYC. Before she came to New York City, she spent two years in San Francisco completing the Alonzo King Lines Training program. There she had the privilege of working with and performing works by Maurya Kerr, Gregory Dolbashian, Christian Burns, Kai Davis, Arturo Fernandez, Sidra Bell, Greg Dawson, Alex Ketley, and Alonzo King. Emily is thrilled to be a part of this biophony and is excited for the opportunities ahead.

Connor Parks

Connor Parks

Connor Parks is from Orlando, FL, where he began studying drums & percussion with Beth and Danny Gottlieb. He received a BFA in Jazz studies from the New School for Jazz & Contemporary Music in New York. Upon arriving in New York City, Connor has performed with Rodney Jones, Vic Juris, Linda Briceño, Dave Glasser, JD Allen, Ingrid Jensen, Aaron Parks, Mcklopedia, and Kandace Springs, among many others. He has appeared at venues ranging from the Blue Note to Madison Square Garden, and often performs at Music Festivals both internationally and in the United States.

Daniel Durst

Daniel Durst

Daniel Durst is a bassist, improviser, educator, and composer based in Brooklyn, NY. Known for his warm touch, deep sense of groove, and meditative approach to improvisation, Daniel brings his musical personality across a variety of genres from jazz to noise to indie rock.

Joanna Mattrey

Joanna Mattrey

Joanna Mattrey is a violist working in free improvisation, new music, and classical music. She uses extended techniques, modern compositional approaches, and electronic alterations to challenge the conventions of the viola. Drawing on her certifications in Alexander Technique, Yoga, and Martial Arts, Joanna creates an embodied performance practice centered on ceremony and ritual. Recent solo works include, ‘Dirge’ (Dear Life Recs 2021), 'Veiled’ (Relative Pitch Records, 2020),, and collaborative albums: ‘Death in the Gilded Age,' (Tripticks Tapes 2021), and 'i used to sing so lyrical' (Astral Spirits, 2019). As part of her solo commissioning project, Mattrey has premiered compositions by leading improvisors Nick Dunston, Lucie Vitkova, Weasel Walter, Leila Bordreuil, and Mattrey's own piece for performer and sculpture installation 'Weaver'. Mattrey is a current ISSUE Project Room 20/21 artist-in-residence. www.joannamattrey.com

Gleb Kanasevich

Gleb Kanasevich

Gleb Kanasevich is a clarinetist, composer, and noise/drone musician. He works in a variety of formats as a soloist and collaborates with many artists, from composers, to improvisers, to noise musicians, to death metal bands. Since 2013, he has been a core member of Ensemble Cantata Profana – a group based in New York City and in August 2018, he has taken on the duties of the ensemble's Associate Artistic Director after moving to New York City. He also runs Unknown Tapes, a small DIY recording artist community dedicated to showcasing different forms of spontaneous music making and improvisation techniques, regardless of genre.

Mary Prescott

Mary Prescott

Mary Prescott is a Thai-American interdisciplinary artist, composer and pianist who explores the foundations and facets of identity and social conditions through experiential performance. Featured in “21 for ‘21: Composers and Performers Who Sound Like Tomorrow,” The Washington Post describes her work as “masterfully envisioned… a bright light cast forward.”

Paul Pinto

Paul Pinto

Paul Pinto is glad to be making sounds and imagery for people. He's a multi-disciplinary creator and performer, and band member of thingNY, Varispeed and LoveLoveLove. He’s performed Peter Maxwell Davies' Eight Songs for a Mad King, originated the role of Balaga in Dave Malloy's Great Comet of 1812, and wrote the autotuned opera Thomas Paine in Violence, and the dance arias 15 Photos.

Ariadne Greif

Ariadne Greif

Ariadne Greif, praised for her “luminous, expressive voice,” “searing top notes,” and “dusky depths,” (NY Times), started out as a ‘boy’ soprano at the LA Opera, making an adult debut singing Lutoslawski’s Chantefleurs et Chantefables with the American Symphony Orchestra. She starred in roles ranging from Therese/Tirésias in Poulenc’s Les Mamelles de Tirésias at the Aldeburgh Festival, Adina in The Elixir of Love with the Orlando Philharmonic, to Sappho in Atthis by Georg Friedrich Haas, which the NY Times called “one of the most searingly painful and revealing operatic performances in recent times.”