Sarah Cahill, pianist, writer, and producer has commissioned and premiered over seventy compositions for solo piano, recorded extensively, and produced a series called The Future is Female. She also hosts a radio show, Revolutions Per Minute, which airs on KALW in San Francisco.
Libby van Cleve is an author, educator, and oboeist. She is one of the foremost interpreters of chamber and contemporary music for the oboe, and featured on the internationally acclaimed Dark Waters music by Ingram Marshall.
Guitarist, composer, and teacher Ben Verdery tours regularly throughout the US, Canada, Europe and Asia, performing at venues and festivals. He has written music for countless performers, and had works written for him. Ben has been guitar professor at the Yale School of Music, Artistic Director of 92Y’s Art of the Guitar series since 2007.
Tamil Nadu-raised and New York-born critically acclaimed vocalist Ganavya lives, learns, and loves fluidly from the nexus of many frameworks and understandings. Hers is a deeply profound and rooted voice. A multidisciplinary creator, she is a soundsmith and wordsmith…
Rajna Swaminathan is an acclaimed mrudangam artist, composer, and scholar. Rajna has been described as “a vital new voice” (Pop Matters), creating “music of gravity and rigor… yet its overall effect is accessible and uplifting” (Wall Street Journal). In her music and research, she explores the undercurrents of rhythmic experience and emergent textures in collective improvisation.
DU YUN, born and raised in Shanghai, China, and currently based in New York City, works at the intersection of opera, orchestral, theatre, cabaret, musical, oral tradition, public performances, electronics, visual arts, and noise. Her body of work is championed by some of today’s finest performing groups and organizations around the world.
Known for her “relentless originality and unflinching social conscience” (The New Yorker), Du Yun’s second opera, Angel’s Bone (libretto by Royce Vavrek), won the 2017 Pulitzer Prize in Music. She was nominated for a Grammy Award in the Best Classical Composition category for her work Air Glow. Her collaborative opera Sweet Land with Raven Chacon (for opera company The Industry) was the 2021 Best New Opera by the North America Critics Association. Four of her feature studio albums were named The New Yorker’s Notable Recordings of the Year, in 2018, 2019, 2020, and 2021, respectively. Her latest monodrama opera In Our Daughter’s Eyes was a notable performance of the year in 2022 by the New Yorker.
A community champion, Du Yun was a founding member of the International Contemporary Ensemble; served as the Artistic Director of MATA Festival (2014-2018); conceived the Pan Asia Sounding Festival (National Sawdust); and founded FutureTradition, a global initiative that illuminates the provenance lineages of folk art and uses these structures to build cross-regional collaborations from the ground up. Du Yun was named one of 38 Great Immigrants by the Carnegie Foundation (2018), “Artist of the Year” by the Beijing Music Festival (2019).
In 2022, she was granted a Creative Capital Award for an AR inter-generational Kun-opera project. Asia Society Hong Kong has honored her for her continued contribution in the performing arts field. Other notable awards include Guggenheim, American Academy Berlin Prize, Fromm Foundation, Foundation for Contemporary Arts. The Carnegie Foundation and the Vilcek Prize in Music have honored her as an immigrant who have made lasting contributions to the American society. In 2023 Harvard University honored her as centennial medalist, the highest recognition for its alumni.
As an avid performer and bandleader (Ok Miss), her onstage persona has been described by the New York Times as “an indie pop diva with an avant-garde edge.”
Du Yun is Professor of Composition at the Peabody Institute, and Distinguished Visiting Professor at the Shanghai Conservatory of Music. Her concert music is published worldwide by G.Schirmer.
