the biophony project
Plant Family Collection
9/18/2021 / 1pm-4pm / Brooklyn Botanical Garden - 990 Washington Avenue (40.6669425,-73.9633841)
Biomes Performed
Meet the Artists
Violist Maren Rothfritz is a passionate artist and educator who is equally at home on the concert stage and in the teaching studio. As violist in the Argus Quartet since 2019, Maren enjoys seeking colorful musical expressions across a wide range of repertoire old and new. From 2016-2018 she was a Fellow with Carnegie Hall’s Ensemble Connect, performing and teaching throughout New York City. Previously, she completed her Master’s degree with Kim Kashkashian at New England Conservatory, where her concentration was Music-in-Education. Her festival credits include Yellow Barn, Ravinia’s Steans Music Institute, the Lucerne Festival Academy, and Keshet Eilon. Born in Paderborn, Germany, Maren began violin studies at age of four. At sixteen, she entered into the Hochschule für Musik Detmold and joined the viola class of Diemut Poppen a year later. She subsequently attended the Escuela Superior de Música Reina Sofía in Madrid (2011-13) and the Conservatorium van Amsterdam (2013-14), where she studied with Nobuko Imai. She moved to the United States in 2014 and is now working towards a Doctorate of Musical Arts at the Graduate Center of the City University of New York, where she was awarded the prestigious CUNY Graduate Center Fellowship and is mentored by Ettore Causa. Currently, she teaches at Brooklyn College as a Teaching Fellow, and is on faculty at the annual festival “Point Counterpoint” in Vermont.
Violinist/violist, composer, and visual artist Leah Asher is an avid performer of contemporary music and creator of new artistic works. Leah is a member of The Rhythm Method string quartet, the violin-piano duo Aether Eos, and co-creator of the series ‘Meaningless Work’ with Nicolee Kuester. She has been featured as a concerto soloist with NOSO Sinfoniettaen and Oberlin’s Contemporary Music Ensemble. Leah formerly served as solo violist of NOSO Sinfoniettaen and co-principal viola of the Arctic Philharmonic. She regularly performs with other New York-based ensembles such as International Contemporary Ensemble, Talea ensemble, and Shattered Glass.
Violinist Jessica Oddie has recently returned to New York City after working as the Assistant Concertmaster of the New Zealand Symphony Orchestra. As a chamber musician and soloist, she has performed recitals at Teatro La Fenice (Venice), Le Poisson Rouge, Lincoln Center, Cité Internationale Universitaire de Paris, the Sydney Opera House, and the Melbourne Recital Centre.
Horn player Nicolee Kuester is based in NYC and divides her time between experimental music and the Older Stuff, recently performing with the International Contemporary Ensemble, The Knights, Talea, and Wet Ink Ensemble in NYC; Ensemble Intercontemporain in Paris; Alarm Will Sound in St Louis; and Kaleidoscope Chamber Orchestra in Los Angeles. She is co-founder with Leah Asher of MEANINGLESS WORK, a performance series that happily meanders between sounds, performance art, text, and movement theater.
Nicolee holds undergraduate degrees in horn performance and creative writing from Oberlin College & Conservatory and graduate degrees in contemporary music performance from UC San Diego. In addition to mucking about with experimental sounds and chamber music, she continues to do teaching artist work with high school students in Ridgewood, Queens as an alumna of Carnegie Hall’s Ensemble Connect fellowship. She also freaks out teens most summers as the brass faculty at North Carolina’s Governor’s School West, where among other things students encounter microtonal improv and learn how to stare into each other’s eyes without getting really squirmy.
Recipient of the Prize for Most Promising Contestant at the 2005 Rostropovich International Cello Competition in Paris, Alan Toda-Ambaras is active as both a soloist and a chamber musician. He has performed with Midori; Yo-Yo Ma, Sandeep Das, and other members of the Silk Road Ensemble; the Borromeo Quartet; the Parker Quartet; and has appeared twice as a soloist with the North Carolina Symphony. Recent appearances include performances in Tokyo’s Ohji Hall, Osaka’s Phoenix Hall, National Academy of Music in Vietnam, Massachusetts State Hall, Chamber Music Society of Lincoln Center, the Taos Music Festival, Harvard University’s Paine Hall, and the New England Conservatory’s Jordan Hall. He has been featured on French television and in several European documentaries due to his participation in the Rostropovich Competition; he has also been heard on NPR’s From The Top program, New York’s WKCR Classical station, and Boston’s Neighborhood News Network. Alan has a B.A. in History of Art and Architecture from Harvard and an M.M. from the New England Conservatory, where he studied with Laurence Lesser. He is a co-founder of the Eureka Ensemble, a new social action-oriented Boston music organization.
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“Biophony" is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.