Viewing entries tagged
Spiritual America

Stereogum: We’ve Got A File On You: Jenn Wasner

Stereogum: We’ve Got A File On You: Jenn Wasner

“William Brittelle. I can’t say enough good things about that guy. He’s such a special person. He has such a strange mind and wild ear for aesthetic choices.”

An Earful: Spiritual America Review

An Earful: Spiritual America Review

This is the kind of big, bold, sometimes even crazy symphonic work of which we could use a lot more, with orchestral brass and strings competing with fat synthesizers, rock drums, choral singing, and more.

Textura: Spiritual America Best of 2019

Textura: Spiritual America Best of 2019

On paper, the project could appear bombastic, what with the army of resources utilized, yet he somehow makes full use of said resources without the result becoming overblown.

WNMU: Spiritual America Best of 2019

WNMU: Spiritual America Best of 2019

With this collaboration between Nonesuch Records and New Amsterdam, walls of genre are broken down as sounds morph and blend throughout Spiritual America.

Second Inversion: Spiritual America Top Albums of 2019

Second Inversion: Spiritual America Top Albums of 2019

Brittelle’s inimitable blend of chamber pop forms a shape-shifting sonic collage: ripped edges, buzzing synthesizers, melodies that echo, morph, and transform in an instant—like a rush of memories overwhelming the senses.

Pitchfork: Spiritual America Review

Pitchfork: Spiritual America Review

Andy Stack has been even more secret-saucy… the structures he helped build under the visionary pop-classical song cycle Spiritual America.

Interview: William Brittelle on Forbidden Colors

Interview: William Brittelle on Forbidden Colors

Composer William Brittelle has shared the full score for and story behind "Forbidden Colors," the fifth track from his new album, Spiritual America, out now on Nonesuch/New Amsterdam Records.

Indy Week: Spiritual America Review

Indy Week: Spiritual America Review

One of the most astonishing records of 2019 has slipped under many radars, likely because it’s hard to describe, categorize, and explain.

New York Times: In Streaming Age, Classical Music Gets Lost in the Metadata

New York Times: In Streaming Age, Classical Music Gets Lost in the Metadata

For contemporary classical artists, metadata is not just an abstract consideration.

National Sawdust Log: Playlist (Waves of light)

National Sawdust Log: Playlist (Waves of light)

“William Brittelle – Spiritual America – Wye Oak, Brooklyn Youth Chorus, Metropolis Ensemble/Andrew Cyr (New Amsterdam/Nonesuch; due May 3, 2019)”

BrooklynVegan: 22 New Songs Out Today

BrooklynVegan: 22 New Songs Out Today

“Wye Oak, The Brooklyn Youth Chorus, and Metropolis Ensemble join together to perform a song-cycle written by composer William Brittelle, and a Wye Oak piece reimagined by Brittelle, on Spiritual America, due out May 3 via Nonesuch. The first single from the project, “Forbidden Colors,” places Jenn Wasner’s vocals over a multilayered chamber orchestra piece.”

The Nation: The Genre of Post-Genre

The Nation: The Genre of Post-Genre

William Brittelle’s Spiritual America has drawn from classical music, punk rock, and electronica to produce music that is at once free-ranging and a thrill to experience.