William Brittelle’s mini-album is a shock to the system – a relentless flood of synths, strings and saxophone, with warped vocals complemented by an artificial choir, and reprieves of lush pads and soft melodic fragments.
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Jenn Wasner
William Brittelle’s movements are fleeting and brief, like constantly shifting perspectives in dreams that dissolve into one another with a logic all their own.
The multi-part suite combines bits of freeform noise, mutated transmissions, seething strings, subliminal guitar, and ghostly singing into a lucid nightmare of oddly soothing sonic insanity.
“Wye Oak’s Shriek is celebrating its 10th anniversary in a couple months, and to mark the occasion the duo has announced Shriek: Variations, a collection of five tracks from the album that were reimagined by composer William Brittelle.”
“William Brittelle. I can’t say enough good things about that guy. He’s such a special person. He has such a strange mind and wild ear for aesthetic choices.”
“Wye Oak, The Brooklyn Youth Chorus, and Metropolis Ensemble join together to perform a song-cycle written by composer William Brittelle, and a Wye Oak piece reimagined by Brittelle, on Spiritual America, due out May 3 via Nonesuch. The first single from the project, “Forbidden Colors,” places Jenn Wasner’s vocals over a multilayered chamber orchestra piece.”