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Eliran Avni
Concerto in A - 1st Movement from Metropolis Ensemble on Vimeo.
American premiere of Avner Dorman’s Concerto in A for Solo Piano and String Orchestra (1995), performed on October 11, 2007 at the Angel Orensanz Center in New York City. Featuring Eliran Avni (piano) and the Metropolis Ensemble led by conductor Andrew Cyr. Video by Timothy Bakland; sound by Nils van Otterloo.
Pianist Eliran Avni shows his flair for the dramatic during a rehearsal of Avner Dorman’s “Concerto in A” with Metropolis Ensemble at The Times Center in Midtown. Metropolis artists were invited to test the Times Center’s new state-of-the-art auditorium and digital audio system on September 14, 2007. Photo by Vern Kousky.
On the second Naxos CD devoted to the music of Avner Dorman, concerti take center stage. At first blush, the composer seems to display a palpable streak of traditionalism. Triadic language abounds in his works and he makes many tips of the hat to Baroque music and neoclassicism. But there’s much more beneath this attractive, if familiar, surface. Dorman is also interested in uncovering some of the undiscovered potential of the concerto, exploring its capacity for different narrative arcs and recasting the genre with some unusual protagonists.
Indeed, it was for a work with an unlikely soloist, the Mandolin Concerto, written in 2006 for Avi Avital, that the disc has received the most attention. Avital’s incisive and nuanced performance has garnered a Grammy nomination. The Mandolin Concerto itself is one of the most adventurous works Dorman has yet composed. Its explorations of many timbres, orchestral effects, and myriad shifts of tempo & demeanor make it a dazzlingly mercurial and potent essay.
There’s more on the CD to recommend as well. The Metropolis Ensemble, with a passel of soloists in concertino tow, sparkle in the Concerto Grosso (2003).The work features virtuosic string writing and cinematic sweep. Indeed, here Dorman displays a fluency of orchestration that in places reminds one of John Corigliano, his teacher during doctoral studies at Juilliard.
One would be forgiven if they assumed going in that a Piccolo Concerto would be a piercing prospect and too limited a palette to work satisfactorily. I’m still not convinced that this is a genre that requires a plethora of options, but soloist Mindy Kaufman’s rendering of the Dorman concerto for the instrument reveals striking versatility. The piece itself combines jazzy rhythms, neo-Baroque signatures, and resonances of the pipes and whistles found in a variety of folk music traditions.
Written when he was just 20 years of age, Dorman’s Piano Concerto in A Major is a splashy technicolor work that embraces virtuosic showmanship, combining a prevailingly Neo-romantic aesthetic with occasional post-minimal ostinati. Pianist Eliran Avni captures the concerto’s spirit, performing its often dizzyingly paced passagework and cadenzas with pizzazz. While no one will mistake it for the mature voice found in the Mandolin Concerto, the youthful exuberance of the Piano Concerto is frequently charming.
While no one will mistake it for the mature voice found in the Mandolin Concerto, the youthful exuberance of the Piano Concerto is frequently charming.
Many will respond to the joyousness of the writing and youthful enthusiasm of the performances on offer.
The playing of the Metropolis Ensemble led by Andrew Cyr is excellent: sensitive, supportive, very accurate and finely balanced, with a lot of spirit.
Avner Dorman writes with an omnivorous eclecticism that makes his music on Concertos both accessible and impossible to pigeonhole.
“This is really good stuff, a genuine discovery, beautifully played and excellently engineered. It will make you feel good about the future of contemporary Classical music.”
Call it a guilty pleasure, but it’s great fun and filled with a youthful joy of music making. Pianist Eliran Avni is sensational.
Free Concert, Reception, and CD signing Monday, February 1, 7:30pm at the former Tower Records - Avner Dorman: Concertos for Mandolin, Piccolo, Piano and Concerto Grosso released January 26 on NAXOS American Classics
New York, NY - The imaginative, up-and-coming chamber orchestra, Metropolis Ensemble, will celebrate its first studio album, Avner Dorman: Concertos for Mandolin, Piccolo, Piano and Concerto Grosso, with a free concert, reception, and CD signing on February 1 at 7:30pm. The event will feature a performance of Avner Dorman’s Mandolin Concerto (string sextet version) by renowned mandolinist Avi Avital and members of Metropolis Ensemble. All attendees will receive a free copy of the new CD and are invited to a CD signing and reception with artists from Metropolis Ensemble. The event is presented in association with, No Longer Empty, a non-profit organization that organizes site-specific public art exhibitions in vacated storefronts and properties in New York City, located in the former Tower Records on Broadway and East 4th Street.
Produced by Grammy-winning producer David Frost, the album contains the complete chamber orchestra concerti by award-winning Israeli composer Avner Dorman. In addition to Dorman’s 2006 Concerto for Mandolin, the album also features three world premiere recordings: the 2001 Piccolo Concerto, with piccolo soloist Mindy Kaufman and pianist Eliran Avni; Concerto Grosso (2003) with Arnaud Sussmann and Lily Francis, violins; Eric Nowlin, viola; Michal Korman, cello; and Aya Hamada, harpsichord; and the composer’s 1995 Piano Concerto, a work he penned when he was only nineteen years old, also featuring pianist Eliran Avni. Metropolis Ensemble was the first professional orchestra to perform Dorman’s music in the United States.
Metropolis Ensemble is a professional chamber orchestra and ensemble based in New York City. Dedicated to emerging composers and performers, Metropolis Ensemble has quickly established a reputation for presenting “new music played with the same kind of panache and bravura we usually experience only in performances of standard repertoire” (Esa-Pekka Salonen).
The dynamic ensemble, comprised of the finest young artists now performing, is led by Music Director Andrew Cyr. Cyr is a distinctive new voice in the growing contemporary classical music scene. His enthusiasm for connecting musicians and composers of the next generation to today’s audiences led him to create Metropolis Ensemble in 2006.
Metropolis Ensemble commissions, premieres and records new works from the freshest voices in classical composition, including Timothy Andres, David Bruce, Anna Clyne, Jakub Ciupinski, Avner Dorman, Ryan Francis, Vivian Fung, Ryan Gallagher, Erin Gee, Raymond Lustig, Ricardo Romaneiro, David Schiff, Adam Schoenberg, Cristina Spinei, and Michael Ward-Bergeman. Since its formation in 2006, Metropolis Ensemble has performed to capacity crowds and has premiered and commissioned over 24 new works.
Avner Dorman has quickly risen to become one of Israel’s most successful and renowned composers. At the age of 25, he became the youngest composer to win Israel’s prestigious Prime Minister’s Award and that same year he was awarded the Golden Feather Award from ACUM (the Israeli Society of Composers and Publishers). Since coming to the United States, Dorman has received several international awards from ASCAP, ACUM, and the Asian Composers League.
Dorman’s unique approach to rhythm and timbre has inspired some of the world’s leading conductors, including Zubin Mehta, Marin Alsop, Asher Fisch, and Simone Young to bring his music to international audiences in performances with The New York Philharmonic, Los Angeles Philharmonic, Israel Philharmonic Orchestra, Munich Philharmonic Orchestra, and Vienna Radio Symphony Orchestras.
Dorman’s fresh, spontaneous style lends itself well to the screen and he has written for film, notably Nitzan Aviram’s award-winning film Son. His music is exclusively published by G. Schirmer, Inc. and is available on NAXOS, the world’s leading classical music label. Dorman holds a Doctorate from the Juilliard School.
The former Tower Records is located at 15 East 4th Street at Broadway. To RSVP for reserved press seating or to request a review copy of the CD please contact:
Nate Bachhuber
ph: 917.763.9396
e: press@metropolisensemble.org
